Olivia Colman's 'Wicker' sparks unprecedented viral frenzy with Skarsgård's costume

You put Skarsgård in an interesting outfit, and everyone is looking.
Colman on the unexpected viral response to her film's central image.
Mark

So what's actually happening here? Is this just a meme, or is there a real film underneath?

Mimi

Both, I think. The premise is genuinely strange—a wicker husband—but the cast is serious, and they're saying the film has real emotional weight. Colman, Debicki, Skarsgård all describe it as exploring actual themes about love and tradition.

Luke

But we should be careful. The viral moment is real and documented. The critical reception is mixed—one major outlet gave it two stars. We don't know yet if audiences will actually connect with the deeper themes or if this stays a novelty.

Mark

Why did Colman take the role if the premise is so odd?

Mimi

She said it felt genuinely original. Most scripts feel familiar; this one didn't. That originality is what drew her in, separate from the costume that's now driving the internet crazy.

Luke

That's her stated reason. We can report that. But we can't know if that's the whole story or if the role's uniqueness was part of a larger appeal.

Mark

What about Skarsgård? Is he in on the joke?

Mimi

He seems to be. He talks about the sex scenes as "super fun" and mentions the comedic moments where the bed breaks. He's not treating it as serious drama; he's treating it as something playful.

Luke

Though he credits the designers for the costume's impact, which is a gracious deflection. We don't actually know how much he's enjoying the viral attention versus how much he's managing it professionally.

Mark

The Ikea thing—is that real?

Mimi

Yes. Ikea actually posted rattan furniture photos with "husband material" as a caption. That's a real corporate engagement with the moment.

Luke

It's real, but it's also marketing. We should note that Ikea saw an opportunity and took it. That doesn't tell us anything about the film's actual quality.

Mark

So what's the real story here?

Mimi

A genuinely strange film has accidentally become a cultural moment because of one costume. But the people who made it are saying there's more to it than the meme. October 30 will tell us if they're right.

  • A trailer dropped and the internet did something unpredictable — it fell, sincerely and absurdly, for a man made of wicker.
  • Memes multiplied by the hour, BookTok and FilmTok swooned, and Ikea posted rattan furniture captioned 'husband material' — corporate culture bending to acknowledge a cultural moment it did not manufacture.
  • Colman, a decorated actress unaccustomed to this kind of viral heat, admitted with genuine bewilderment that nothing in her career had ever produced this response.
  • Critical reception at Sundance was divided — two stars from The Guardian, warmer words from The Hollywood Reporter — leaving the film caught between internet phenomenon and uncertain artistic verdict.
  • The cast insists the memes are a doorway, not the destination: beneath the splinter jokes lies a quietly moving interrogation of marriage, gender, and the traditions communities build around belonging.
  • Wicker opens in UK cinemas October 30, and whether viral fascination becomes sustained audience love is the question the film now has to answer.

Sometimes a film arrives not through the machinery of marketing but through the stranger alchemy of collective imagination — a costume, a premise, a longing for something genuinely odd. Olivia Colman's Wicker, a medieval romantic comedy about a fisherwoman who commissions a wicker husband, has ignited an unexpected viral phenomenon ahead of its October 2026 UK release, with audiences captivated less by the film's awards pedigree than by Alexander Skarsgård in an unusual outfit. The moment speaks to something Colman herself identified: a widespread hunger for escapism, fantasy, and stories that feel, against all odds, genuinely original.

At the London Film Festival premiere of Wicker, Olivia Colman found herself genuinely bewildered. The social media response had been unlike anything in her career — memes flooding platforms, steamy jokes multiplying, strangers on the internet openly fascinated by a costume. "You put Alexander Skarsgård in an interesting outfit," she told the BBC, "and everyone is looking."

The film is a strange and specific thing: a medieval-set romantic comedy about a lonely, mocked fisherwoman who hires a basketmaker to construct her a partner from wicker. Skarsgård plays this wicker husband — a life-size creation who becomes a devoted lover, sparking jealousy among the village women. Peter Dinklage appears as the basketmaker, Elizabeth Debicki as the tailor's wife, Richard E Grant as the village doctor. It's the kind of premise that sounds like a joke until you realize it has been made into a feature film with an A-list cast.

Since the trailer's release, the internet has been in a particular frenzy. People have genuinely asked about splinter risks during intimate scenes. Ikea posted photos of its rattan pieces with the caption "husband material." Debicki was characteristically direct about the source of the fascination: "I think it was a lot to do with Alex in a wicker man costume, really."

Colman pointed to something simpler than the absurdity of the premise. "We all love a little bit of escapism," she said. "It's magical, and a bit of fantasy, and people love that, especially currently." She also credited the script's originality — rare among the material that crosses her desk. Skarsgård deflected toward the costume designers, described the sex scenes as "super fun" to shoot, and noted the tenderness underneath the comedy.

Adapted from Ursula Wills-Jones's short story The Wicker Husband, the film premiered at Sundance in early 2026 to mixed reviews. The Guardian praised the premise but found insufficient fire; The Hollywood Reporter called it "a warming, sometimes poignant pleasure." The cast insists there is substance beneath the memes — a gentle interrogation of marriage, hierarchy, and community tradition, done, as Skarsgård put it, "with such a light touch."

Wicker arrives in UK cinemas on October 30. Whether the viral moment translates into lasting audience interest remains the open question.

Olivia Colman stood at the London Film Festival premiere of her new film and found herself genuinely bewildered. The social media response to Wicker had been unlike anything in her career—memes flooding platforms, steamy jokes multiplying by the hour, strangers on the internet openly fascinated by a costume. "No, literally this has never happened for anything I've done before," she told the BBC. "But you put Alexander Skarsgård in an interesting outfit, and everyone is looking."

The film itself is a strange thing: a medieval-set romantic comedy about a lonely, mocked fisherwoman who decides to solve her isolation problem by hiring a basketmaker to construct her a partner entirely from wicker. Skarsgård plays this wicker husband—a life-size piece of furniture who somehow becomes a devoted, passionate lover, sparking jealousy among the village women. It's the kind of premise that sounds like a joke until you realize someone actually made it into a feature film with an A-list cast. Peter Dinklage appears as the basketmaker, Elizabeth Debicki as the tailor's wife, and Richard E Grant as the village doctor.

Since the trailer dropped, the internet has been in a particular kind of frenzy. BookTok and FilmTok audiences have been swooning over Skarsgård's character. People have genuinely asked about splinter risks during the film's intimate scenes. Ikea, the Swedish furniture company, posted photos of its rattan pieces on Instagram with the caption "husband material"—a corporate nod to the cultural moment the film has somehow created.

When asked to explain the fascination, Colman pointed to something simpler than the absurdity of the premise. "We all love a little bit of escapism. That's what film is beautiful for," she said. "And it's magical, and a bit of fantasy, and people love that, especially currently." She also credited the script itself—it felt genuinely original in a way that most of the material that crosses her desk does not. Debicki, her co-star, was more direct: "I think it was a lot to do with Alex in a wicker man costume, really. I think that's something that apparently everybody would like to see."

Skarsgård himself deflected the attention toward the costume designers, saying he simply "got stuck into it." He described the sex scenes as "super fun" to shoot, particularly the moments where the bed crashes and breaks—comedic beats that the characters themselves comment on within the scene. But there's also tenderness there, he noted, and genuine romantic chemistry.

The film is adapted from a short story called The Wicker Husband by Ursula Wills-Jones. It premiered at Sundance earlier in 2026, where critical reception was mixed. The Guardian gave it two stars, praising the "eye-catching premise" but suggesting there was "too much wood but not enough fire." The Hollywood Reporter was warmer, calling it "a warming, sometimes poignant pleasure."

Beyond the memes and the viral moment, the film's cast insists there's substance underneath. Debicki called it "very funny and strange and wonderful" but also "very moving"—something worth discovering past the Ikea jokes. Skarsgård noted that it touches on hierarchy and social structure, "done with such a light touch." Colman framed it as a film about love and romance that gently interrogates the traditions we've built around marriage and community. "I think it's something that you will come out and discuss a lot," she said.

Wicker arrives in UK cinemas on October 30. Whether the viral moment translates into sustained audience interest, or whether the film becomes a footnote in the history of internet culture, remains to be seen.

This has never happened for anything I've done before. But you put Alexander Skarsgård in an interesting outfit, and everyone is looking.
— Olivia Colman, at London Film Festival premiere
It's about love, and it is funny, but it's also a romance, and it very gently laughs at the sort of traditions we have in marriage and community.
— Olivia Colman, on the film's deeper themes
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