Switching between them mid-shoot lets you tell a more complete visual story
In the ongoing human pursuit of capturing life with both beauty and ease, DJI has introduced the Osmo Pocket 4P — a pocket-sized gimbal camera that carries two lenses, a large sensor, and cinema-grade color science into spaces where professional equipment rarely fits. Released in mid-2026 and available in Indonesia through Erajaya's retail network, the device represents a quiet but meaningful shift: the tools once reserved for dedicated film sets are now small enough to slip into a jacket pocket. For creators who have long negotiated between portability and quality, this camera arrives as a considered answer.
- Content creators have long faced an impossible trade-off — carry bulky professional gear or accept the compromises of compact cameras — and the Osmo Pocket 4P is DJI's direct challenge to that dilemma.
- A dual-lens system, 1-inch sensor, and 17 stops of dynamic range mean the camera can hold detail in a sun-drenched sky and a shadowed face simultaneously — a technical feat that changes what's possible in run-and-gun shooting.
- With 4K recording at 240 frames per second, 10-bit D-Log 2 color, and ActiveTrack 8.0 subject tracking, the device compresses a professional post-production pipeline into a handheld form factor.
- Battery life of 210 minutes, an 18-minute fast charge, and 800 MB/s file transfer speeds are designed to keep pace with creators working on tight schedules and tighter deadlines.
- In Indonesia, the camera lands through a wide retail and e-commerce network at IDR 11.51 million, positioning itself as an accessible but serious tool for filmmakers and vloggers across the country.
DJI has released the Osmo Pocket 4P, the first pocket gimbal camera in its lineup to carry two lenses — and with it, a direct answer to one of portable filmmaking's most persistent tensions: how to shoot both wide landscapes and compressed, cinematic portraits without switching cameras or sacrificing quality.
At the heart of the device is a 1-inch CMOS sensor paired with a primary wide-angle lens for expansive scenes and a 60mm medium telephoto at f/1.8 for portraiture, capable of 3x optical and 12x digital zoom. DJI's LOFIC technology claims 17 stops of dynamic range across both lenses — enough to preserve detail in a bright sky and a shadowed foreground within the same frame.
For video, the camera records 4K at up to 240 frames per second, enabling 8x slow-motion playback. Its 10-bit D-Log 2 color profile captures over one billion distinct colors, giving editors meaningful latitude during grading. Stabilization comes from a three-axis mechanical gimbal borrowed from DJI's Ronin cinema rigs, while ActiveTrack 8.0 handles subject recognition and tracking for people, vehicles, and pets without manual input.
Convenience is woven into the design: rotating the touchscreen powers the camera on and begins recording instantly, hand gestures can trigger capture, and a 4K Live Photo mode quietly logs moments as they unfold. Battery life reaches 210 minutes, charges to 80 percent in 18 minutes, and file transfers move at 800 MB/s — details that matter when a day's footage needs to move from camera to edit suite quickly. The camera also shoots 37-megapixel stills.
The Osmo Pocket 4P connects to a modular ecosystem of filters, lens attachments, microphones, and handles, allowing users to scale their setup as their work demands. In Indonesia, where DJI operates through Erajaya, the standard model is priced at IDR 11.51 million and a vlog bundle at IDR 12.59 million, available across major e-commerce platforms and physical retail locations nationwide.
DJI has released the Osmo Pocket 4P, marking the first time the company has built a dual-lens system into its pocket-sized gimbal camera. The device arrives as a direct answer to a specific creative problem: how to capture professional-grade video in a form factor small enough to fit in a bag, without sacrificing the ability to shoot both wide landscapes and compressed, cinematic portraits.
The camera's core hardware centers on a 1-inch CMOS sensor paired with two lenses. The primary wide-angle lens handles expansive shots—cityscapes, travel footage, establishing scenes. The second lens, a 60mm medium telephoto with an f/1.8 aperture, is built specifically for portraiture and can zoom optically up to 3x, or digitally up to 12x. Both lenses feed into what DJI calls LOFIC technology, which the company claims preserves detail across 17 stops of dynamic range. That range matters in real shooting: it means the camera can hold detail in both the bright sky and the shadowed foreground of a sunset scene, or capture a subject backlit without losing their face to darkness.
For video work, the Osmo Pocket 4P records at 4K resolution at up to 240 frames per second, enabling slow-motion playback at 8x reduction. The color science runs on a 10-bit D-Log 2 profile, which means the sensor captures information about over one billion distinct colors rather than the smaller palette of standard video. In practical terms, this gives editors more latitude during color grading—smoother transitions between tones, fewer visible banding artifacts, more room to push the image without degradation. The stabilization system inherits technology from DJI's Ronin cinema rigs: a three-axis mechanical gimbal that keeps footage smooth even while the operator is moving.
DJI has also upgraded the camera's subject-tracking system to ActiveTrack 8.0, which can recognize and follow people, vehicles, pets, and other moving objects, keeping them centered in the frame without manual adjustment. The company has layered in convenience features designed to lower the barrier to recording: rotating the touchscreen powers the camera on and begins recording instantly; hand gestures can trigger recording or activate tracking; a 4K Live Photo mode automatically captures short video clips of moments as they happen.
Battery life reaches 210 minutes on a single charge, and the battery charges from empty to 80 percent in 18 minutes. File transfer speeds hit 800 megabytes per second, which matters for creators working on tight deadlines—moving a day's worth of 4K footage from camera to computer becomes a matter of minutes rather than hours. The camera also shoots 37-megapixel still photographs, useful for extracting high-resolution frames from video or for standalone photography work.
The Osmo Pocket 4P integrates with DJI's broader ecosystem of accessories: neutral-density filters for controlling exposure in bright light, black mist filters for a softer look, wide-angle lens attachments for even broader framing, a battery handle for extended shooting, a mini tripod, and microphones from the OsmoAudio line. This modular approach means users can start simple and add gear as their needs grow.
In Indonesia, where DJI operates through Erajaya as its official partner, the camera is available through both online and physical retail channels. The standard version costs 11.51 million Indonesian rupiah; a vlog-focused bundle with additional accessories runs 12.59 million rupiah. Distribution includes DJI's official online store on Tokopedia, Blibli, Shopee, and Lazada, as well as physical locations including DJI Experience Stores, Urban Republic, erafone, iBox, and independent camera retailers across the country. The device targets filmmakers, vloggers, and content creators who need professional image quality without the bulk and complexity of traditional cinema cameras.
Notable Quotes
The DJI Osmo Pocket 4P combines professional cinematic quality, portability, and ease of use in a single device. We believe it will become the ideal solution for filmmakers, content creators, and everyday users who want to produce high-quality content anytime and anywhere.— Djohan Sutanto, CEO of Erajaya Active Lifestyle
The Hearth Conversation Another angle on the story
Why does a pocket camera need two lenses? Wouldn't one good lens be enough?
The two lenses solve different creative problems. A wide lens captures expansive scenes—you're establishing where you are. The telephoto lens compresses space and isolates subjects, which is how you make a portrait feel intimate and cinematic. Switching between them mid-shoot lets you tell a more complete visual story without changing cameras.
The specs mention 17 stops of dynamic range. What does that actually mean for someone shooting in real conditions?
It means the camera can see detail in both the bright parts and the dark parts of a scene simultaneously. Shoot a sunset with a person in the foreground, and you won't lose either the sky or their face. That's the difference between a usable shot and one you have to throw away.
Is 4K at 240 frames per second actually useful, or is that just a spec sheet number?
It's genuinely useful. At 240fps, you can slow that footage down to 8x speed and still have smooth, detailed slow-motion. A dramatic gesture, a splash of water, a moment of impact—you capture it with clarity and drama that 60fps can't match.
The D-Log 2 color profile and 10-bit recording—are those things a casual creator actually needs?
Not immediately. But they matter if you're color grading in post-production. More color information means smoother transitions, less visible banding, more room to push the image without it falling apart. It's the difference between a shot that looks good and one that looks professional.
What's the real advantage of ActiveTrack 8.0 over older tracking systems?
It recognizes more types of subjects—not just people, but vehicles and pets too. And it keeps them centered without you having to think about it. You focus on the story; the camera handles the framing.
Why does battery life matter so much in a device this small?
Because 210 minutes means you can shoot an entire event, or a full day of vlogging, without stopping to charge. That's the difference between a camera you use and a camera that gets in the way of your work.