The bar will never stop mattering—people still want to be there
Paradiso became Spain's first bar ranked #1 on World's 50 Best Bars list, pioneering a speakeasy concept that elevated Barcelona's cocktail scene from 2015 onwards. The bar's evolution reflects broader trends: customers now seek meaningful experiences over excess, with non-alcoholic cocktails growing from 2% to 15% of orders since 2015.
- Paradiso opened in 2015 behind a pastrami sandwich shop in Barcelona's Born neighborhood
- First Spanish bar to rank #1 on World's 50 Best Bars list
- Non-alcoholic cocktails grew from 2% of orders in 2015 to 15% in 2025
- Gianotti spent six years in London before arriving in Barcelona in 2013
- Plans to open a family-run gelato shop with integrated cocktail bar within two years
Giacomo Gianotti's Barcelona speakeasy Paradiso marks 10 years as a global cocktail icon, transforming the city's bar culture through innovative techniques and immersive experiences while adapting to evolving consumer preferences.
A decade ago, Giacomo Gianotti pushed open a refrigerator door in Barcelona's Born neighborhood and stepped into what would become one of the world's most influential cocktail bars. Behind the pastrami sandwich shop facade, hidden behind what looked like an old appliance, lay Paradiso—a speakeasy that would transform not just Barcelona's drinking culture, but the entire conversation about what a cocktail bar could be.
When Gianotti arrived in Barcelona in 2013 from London, where he had spent six years learning his craft, the city's cocktail scene was fragmented. There were respected classics—Dry Martini, Tándem, Boadas—but most bars served simple mixed drinks without the technical infrastructure or professional structure that serious cocktail work demanded. The city was open to new ideas and had a deep tradition of bars as social anchors, but no one had yet brought the London and Paris cocktail renaissance to this particular moment and place. When Paradiso opened in 2015, it arrived as something entirely foreign to Barcelona: a speakeasy with international style, skilled bartenders, and an uncompromising vision. Gianotti's own credentials helped—he had won Spain's World Class cocktail competition and placed seventh in the global final, achievements that came from years of developing his technique, creativity, and presentation.
The bar's early success was swift and overwhelming. Lines formed outside. Awards followed. In 2018, Paradiso became the first Spanish bar to rank number one on the World's 50 Best Bars list. The concept expanded to Ibiza and Dubai. The team—Gianotti alongside partners Lito Baldovinos and Joan and Enric Rebordosa of Grup Confiteria—began organizing an annual Paradiso Sustainability Summit. But the real achievement was subtler: Paradiso established a style of cocktail-making that other Barcelona bars would study and adapt, raising the entire city's ambitions.
Gianotti's philosophy centered on surprise, but surprise calibrated with restraint. Every element—what was said, what was served, how it was presented—was designed to create impact without overwhelming the customer's private moment. He and his team borrowed techniques from the kitchen, experimented with unusual textures, commissioned distinctive glassware, and built an R&D laboratory where one person worked full-time on the endless, increasingly complex problem of creativity. When he started, finding distinctive glasses meant hours at Els Encants flea market. Now, he said, almost anything is possible.
The cocktails themselves became legendary. Mediterranean Treasure, created for World Class, arrived in a seashell with vodka, St. Germain, fino sherry, oyster leaves, lemon juice, agave honey, cilantro, and egg white. The Great Gatsby—a smoked Old Fashioned with Macallan 12, white truffle honey, amaro, lavender essence, and tobacco-vanilla smoke—became so influential it was replicated in bars across the world. The current menu, Misterios del Mundo, includes Enigma, served in a human-head-shaped glass, a fresh, fruity, balsamic drink built on Altamura vodka and pine infusion. An upcoming menu called Oltre, inspired by the dreamlike and surreal, will feature Eclipse, a Bamboo variation with amontillado and banana water served in a thermochromic glass that shifts from white to black as the drink is poured.
But the bar's evolution over ten years reflects something larger than technique. A decade ago, customers came to socialize and enjoy themselves, but they weren't accustomed to the kind of reflective, immersive experience that modern cocktail culture demands. The pandemic accelerated a shift: people returned to bars with deeper knowledge of spirits and liqueurs, and with greater awareness of alcohol's health effects. Non-alcoholic cocktails grew from two percent of orders in 2015 to fifteen percent in 2025. Customers now often order one round with alcohol, another without, but what they never want to lose is the experience itself. The bar, Gianotti observed, will never stop mattering—people still want to be there with friends, talking with the bartender, existing in that particular kind of social space.
Barcelona's position as a global cocktail capital seems secure, he believes, if the trajectory of the past decade continues. What's remarkable is that the best bars haven't closed; they've multiplied, deepening the entire offer. And Gianotti's own story is completing a circle. His bar was named Paradiso after his parents' ice cream shop, which opened in 1987 in Marina di Carrara, Tuscany, in a palm-lined area. Within two years, he plans to open a family-run gelato shop with a cocktail bar in its back section—dynamic, playful, where the drinks will echo the flavors and textures of the ice cream. The speakeasy behind the refrigerator door will eventually lead back to where it all began.
Citas Notables
If everything is a wow, people get numb. The art is in the modulation.— Giacomo Gianotti, on the philosophy of surprise in cocktail design
Barcelona is open to new ideas and has a deep tradition of bars as social anchors, but no one had yet brought the London and Paris cocktail renaissance to this particular moment and place.— Gianotti, on why Paradiso succeeded when it opened
La Conversación del Hearth Otra perspectiva de la historia
When you opened Paradiso, did you know you were going to change how Barcelona thought about cocktails, or did that surprise you?
I knew we were bringing something different, something that didn't exist here yet. But the speed and the scale of it—that was surprising. The lines, the awards, the way other bars started to shift their own approach. I had the skills and the vision, but Barcelona had to be ready to receive it.
You talk about surprise as central to the experience. How do you keep surprising people for a decade without it becoming exhausting?
You have to understand that surprise isn't just spectacle. It's in the story you tell, the ingredient you choose, the way you serve it. And you have to know when to pull back. If everything is a wow, people get numb. The art is in the modulation.
The shift toward non-alcoholic cocktails—from two percent to fifteen percent—that's a huge change. Does that feel like a loss to you?
Not at all. It's actually a deepening. People care less about the alcohol and more about the experience, the craft, the meaning. They want to understand what you're doing. That's a more sophisticated customer, and it's better for the bar.
You spent six years in London before coming here. What did you see in Barcelona that made you think this could work?
Barcelona has always been a city that loves its bars—they're woven into the social fabric. It's open to new ideas. But it hadn't had that moment yet, that shift that London and Paris had already gone through. I arrived at exactly the right time.
And now you're planning to open an ice cream shop with a cocktail bar inside. That feels like coming full circle.
It is. My parents opened Paradiso as an ice cream shop in Tuscany in 1987. I named this bar after that place, after them. Now I'm going back to that idea, but with everything I've learned. The gelato will inspire the cocktails. It's a return, but also a continuation.