A band that genuinely likes playing together and has something to say
Hay bandas que crecen despacio y por eso duran. El Plan de la Mariposa, nacida en Necochea hace más de una década, regresa a Rosario el 15 de agosto con Correntada bajo el brazo y una gira europea en la memoria reciente, como quien vuelve al barrio después de haber comprobado que el mundo también tiene oídos. El Metropolitano será el escenario de un reencuentro que no es solo musical: es la confirmación de que el crecimiento sostenido tiene su propia forma de gloria.
- Tras llenar el Estadio Diego Armando Maradona en Buenos Aires y recorrer España y los Países Bajos, la banda llega a Rosario en el momento de mayor proyección de su carrera.
- El nuevo álbum Correntada y el single 'El cantar de los anzuelos' instalan una tensión entre el éxito conquistado y la búsqueda de algo más hondo que la fama.
- El show del 15 de agosto en Metropolitano promete equilibrar el material nuevo con los clásicos que construyeron su base de seguidores a lo largo de una década.
- Las entradas ya están disponibles y la expectativa crece en una ciudad que ha seguido de cerca la evolución de una banda que nunca dejó de moverse.
El Plan de la Mariposa vuelve a Rosario. La banda oriunda de Necochea, que viene de llenar estadios en Buenos Aires y de recorrer escenarios en España y los Países Bajos, se presentará el 15 de agosto en el Metropolitano para mostrar en vivo su último álbum, Correntada. Las entradas ya están a la venta.
El año ha sido inusualmente intenso para el grupo: festivales en Córdoba, fechas en la costa atlántica, una incursión en Uruguay y semanas de gira europea por Valencia, Barcelona, Madrid y Ámsterdam. En verano se llevaron el Premio Estrella de Mar en la categoría rock, y en 2025 llenaron el estadio Maradona, un hito que los instaló definitivamente más allá del circuito regional.
La noche rosarina girará en torno a Correntada, aunque habrá lugar para los temas que forjaron su identidad a lo largo de más de diez años. También empujan su single actual, 'El cantar de los anzuelos', una canción sobre las decisiones que el tiempo nos obliga a tomar. Es el tipo de letra que sugiere que el éxito no los ha vuelto más cómodos.
Lo que distingue a El Plan de la Mariposa es su capacidad de tejer rock con funk, psicodelia, influencias celtas y ritmos latinoamericanos sobre una base de guitarra, bajo y batería, enriquecida con violín, acordeón y sintetizadores. Con seis álbumes de estudio y cuatro registros en vivo, han construido algo duradero en un paisaje musical que suele ser implacable. El 15 de agosto en el Metropolitano es, en cierto modo, un regreso a casa.
El Plan de la Mariposa is coming back to Rosario. The band from Necochea, riding high after filling Buenos Aires stadiums and touring across Europe, will take the stage at Metropolitano on August 15th to present their latest album, Correntada. Tickets are already on sale through turboentrada.com.
This return marks a natural stop in what has been an unusually active year for the group. They've played Mar del Plata and Pinamar, appeared at the Isoca Festival and Cosquín Rock in Córdoba, crossed into Uruguay, and spent weeks touring Spain and the Netherlands. In summer, they won the Estrella de Mar Award in the Rock category for their performance at Bendu Arena in Mar del Plata. Last year, 2025, they filled the Diego Armando Maradona Stadium in Buenos Aires—a milestone that announced their arrival as something more than a regional act.
The Rosario show will center on Correntada, the band's latest studio work, though they'll dust off the songs that built their following over more than a decade. They're also pushing their current single, "El cantar de los anzuelos," a track that wrestles with how we make choices when time moves forward whether we're ready or not. It's the kind of song that suggests the band hasn't softened with success—they're still interested in something deeper than the surface.
What makes El Plan de la Mariposa distinctive is how they've woven together rock with funk, psychedelia, Celtic influences, and Latin rhythms. The foundation is straightforward: guitar, bass, drums. But they layer in violin, accordion, and synthesizers that give the sound texture and weight. The lyrics tend toward introspection and travel, the kind of writing that makes people feel seen. It's a formula that works because it doesn't feel calculated—it sounds like a band that genuinely likes playing together and has something to say.
With six studio albums and four live recordings behind them, the group has built something sustainable in a music landscape that chews up and spits out most projects. Their growth has been steady rather than meteoric, which often means it sticks. The European tour—Valencia, Barcelona, Málaga, Madrid, Amsterdam—suggests they're finding audiences beyond Argentina. The Rosario date is a homecoming of sorts, a chance to play in front of people who've watched them develop. August 15th at Metropolitano. The band is ready.
Citações Notáveis
Their latest single, 'El cantar de los anzuelos,' explores decision-making in the face of time's inevitable passage— Album and single description
A Conversa do Hearth Outra perspectiva sobre a história
Why does a band from Necochea matter to Rosario? What's the connection?
Geography isn't really the point anymore. They've become big enough that they tour everywhere. But Rosario has always been a strong market for this kind of rock—people here understand what they're doing.
What changed between their last Rosario show and now?
Scale, mostly. They filled a stadium in Buenos Aires last year. They toured Europe. Those things shift how a band sees itself and how audiences see them. It's not a small club band anymore.
The new album—what's different about Correntada?
I don't have the full picture, but the single they're pushing, "El cantar de los anzuelos," seems to be about reckoning with time and inevitability. That's a more mature place to write from than where they started.
Why does the accordion and violin matter? Isn't that unusual for rock?
It is. Most bands stick to the standard setup. They've always refused that. It's part of why they sound like themselves and not like everyone else. The folk and Latin elements give the rock something to push against.
Do you think they'll stay big, or is this a peak?
Hard to say. They've been consistent for over a decade, which is rare. The European tour suggests there's real interest beyond one country. If they keep writing songs that matter, they'll keep finding people.