Monica becomes trapped in an alternate universe where her mother is alive but doesn't know her.
Em As Marvels, três heroínas de gerações e origens distintas são forçadas a unir forças contra uma ameaça que nasce das consequências de escolhas passadas — um lembrete de que os erros não desaparecem, apenas mudam de forma. Carol Danvers, Kamala Khan e Monica Rambeau enfrentam não apenas um inimigo externo, mas as fraturas entre si, descobrindo que a força coletiva exige vulnerabilidade individual. O filme encerra com uma perda silenciosa e uma porta aberta: Monica presa em outro universo, e o horizonte do MCU se expandindo para incluir rostos que o público reconhece de uma outra era.
- Dar-Benn, guerreira Kree, usa uma pulseira quântica para abrir pontos de salto instáveis e drenar recursos de mundos inteiros — incluindo o sol da Terra — numa tentativa desesperada de salvar Hala.
- Cada vez que as três heroínas atacam Dar-Benn, seus poderes inadvertidamente fortalecem a arma inimiga, transformando a luta em uma armadilha que exige uma solução completamente diferente.
- A tensão entre Carol, Monica e Kamala vai além da batalha: mágoa de infância, síndrome do impostor e a desconstrução de um ídolo tornam a sincronização de poderes um desafio emocional tanto quanto físico.
- Monica se sacrifica para selar o portal multiversal por dentro, ficando presa em uma realidade alternativa — e acorda diante de sua mãe morta, que não a reconhece.
- A cena pós-créditos apresenta o Fera de Kelsey Grammer nesse universo alternativo, sinalizando que os X-Men podem estar prestes a cruzar para o MCU de forma definitiva.
As Marvels começa com um mistério: Carol Danvers, Monica Rambeau e Kamala Khan descobrem que seus poderes estão inexplicavelmente entrelaçados, fazendo com que troquem de lugar cada vez que os usam simultaneamente. A diretora Nia DaCosta tece fios de Ms. Marvel, Capitã Marvel e WandaVision numa única narrativa que é, no fundo, sobre o custo emocional de ser heroína.
A ameaça central é Dar-Benn, uma guerreira Kree que encontrou metade de um par de pulseiras quânticas e usa esse artefato para abrir pontos de salto instáveis. Seu objetivo é restaurar Hala, o mundo Kree que Carol havia esgotado de recursos em um conflito anterior. Para isso, ela ataca sistematicamente lugares queridos por Carol — o mundo dos Skrulls, o planeta musical de Aldana, e finalmente o próprio sol da Terra. Cada ataque é uma acusação velada: você criou esse problema, agora veja o que ele custou.
Enquanto as três heroínas aprendem a sincronizar seus poderes, velhas feridas emergem. Monica carrega a dor da ausência de Carol durante sua infância. Carol luta contra a convicção de que precisa resolver tudo sozinha para compensar seus erros. Kamala, que cresceu idolatrando Carol, começa a enxergá-la como um ser humano falível — e isso, paradoxalmente, as aproxima. A batalha final exige exatamente essa maturidade coletiva: elas derrotam Dar-Benn não pela força bruta, mas pela cooperação.
O verdadeiro sacrifício vem depois. Para selar o portal multiversal aberto pela batalha, Monica atravessa para o outro lado e o fecha por dentro — ficando presa em uma realidade alternativa. Carol retorna a Hala para cumprir sua promessa de ajudar na reconstrução. Kamala, agora com as pulseiras quânticas, parte em busca de Kate Bishop para formar uma nova equipe.
A cena pós-créditos é a mais carregada de todas. Monica acorda nesse universo desconhecido e encontra sua mãe, Maria — que morreu de câncer anos antes, como revelado em WandaVision. Mas essa versão de Maria não a reconhece. Antes que Monica possa processar o impossível, o Fera entra na sala — interpretado por Kelsey Grammer, de casaco de laboratório e óculos. Sua presença sinaliza algo maior: os X-Men podem estar prestes a cruzar definitivamente para o universo cinematográfico da Marvel.
The Marvel Cinematic Universe expands further with As Marvels, a film that weaves together three heroines and forces them to confront both external threats and the fractures in their own relationships. Carol Danvers, Kamala Khan, and Monica Rambeau find their powers mysteriously linked, compelling them to work in tandem whether they like it or not. The film, directed by Nia DaCosta, serves as a continuation of the Disney+ series Ms. Marvel, the original Captain Marvel films, and WandaVision, pulling threads from all three into a single narrative.
The central conflict emerges when Dar-Benn, a Kree warrior played by Zawe Ashton, locates the missing half of a pair of quantum bracelets—artifacts long considered mythical. Carol and Monica discover this lost piece is the key to understanding a strange frequency emanating from a jump point. When they investigate, they collide with Dar-Benn and her army, and in the chaos, Kamala is pulled into their conflict. The three learn that the Kree have returned, and they believe Carol herself is the threat they must eliminate. What they actually want is far more ambitious: to restore their dying world of Hala, which Carol had depleted of resources in an earlier conflict.
The Kree's first target is the Skrull population, a species that had placed its faith in Carol. Dar-Benn opens an unstable jump point above the Skrull homeworld, nearly annihilating them. The three heroines manage to save some of the population with help from Valkyrie, but the survivors are understandably reluctant to trust Carol. As the trio learns to synchronize their powers, old wounds surface. Monica carries childhood pain from Carol's absence, while Carol battles impostor syndrome, convinced she is not capable of solving the problems she has created. Kamala, for her part, begins to see Carol not as an idol but as a flawed human being.
The Kree's strategy becomes clear: they are systematically targeting places Carol holds dear, draining resources to restore Hala. The search leads the heroines to Aldana, a world whose inhabitants communicate only through song. There, Monica and Kamala discover that Carol has married Prince Yan in a legal formality—a revelation delivered through an elaborate musical number. When the Kree arrive, a fierce battle erupts, but the heroines face a critical problem: each time they fight Dar-Benn, their attacks inadvertently strengthen her quantum bracelets. Unable to defeat her, they find themselves facing another unstable jump point. Kamala makes a unilateral decision to retreat while they still can, infuriating Carol, who feels compelled to prove she can fix everything alone. She eventually accepts that she needs her team.
Earth becomes the next target. The Kree set their sights on the sun itself, and Nick Fury's space station—where Kamala's family has been sheltered—is now in danger. The three heroines return united, determined to save the day. Dar-Benn creates another jump point between Earth and Hala, but this one is destabilizing. As the Kree begin dragging the sun from its orbit, the station faces an unexpected crisis: a Flerken outbreak. The solution is as absurd as it is effective—the cute, cat-like creatures are used to transport the remaining crew in escape pods by literally swallowing them whole. The plan works, leaving Carol, Monica, and Kamala to face Dar-Benn in a final confrontation. They defeat her, and Carol fulfills her promise to help restore Hala.
Closing the jump point reveals something unexpected: another universe on the other side, one that appears unexplored. Monica volunteers to be overwhelmed by the combined power of Carol and Kamala, who now possesses the quantum bracelets. She crosses through the portal to seal it from the other side, but the plan succeeds at a cost—Monica becomes trapped in this alternate reality. Carol honors her commitment to Hala before returning to normal life, while Kamala seeks out Kate Bishop, hoping to assemble a new team.
The post-credits scene shifts the story into stranger territory. Monica awakens to find herself face-to-face with her mother, Maria—a woman who died of cancer years earlier, as revealed in WandaVision. But this version of Maria has no memory of Monica, no recognition of her daughter. Before Monica can process this impossible reunion, Beast enters the room. The character, last seen in 2014's X-Men: Days of Future Past and played by Kelsey Grammer, appears in a lab coat and glasses, shirtless and clinical. His presence in this alternate universe signals something larger: the potential integration of the X-Men into the MCU's expanding multiverse mythology.
Citas Notables
Carol struggles with impostor syndrome, convinced she is not capable of solving the problems she has created, until she accepts that she needs her team.— Film narrative
Monica's mother Maria, encountered in the alternate universe, has no memory of her daughter.— Post-credits scene
La Conversación del Hearth Otra perspectiva de la historia
So the three of them have to work together because their powers are literally linked. That's not just a team-up—that's a forced marriage.
Exactly. And it matters because Carol, Kamala, and Monica all have reasons not to trust each other. Carol abandoned Monica as a child. Kamala idolizes Carol in a way that prevents her from seeing the real person. Monica carries that wound into every interaction.
What does Dar-Benn actually want? Is she just a villain, or does she have a point?
She wants to restore Hala, the Kree homeworld. Carol had drained it of resources in an earlier conflict. So Dar-Benn is trying to fix what Carol broke—she's targeting the places Carol loves most, stealing what she needs. It's not sympathetic exactly, but it's not arbitrary either.
And Monica ends up trapped in another universe. That seems like a setup.
It is. She wakes up in an alternate reality where her mother is alive but doesn't know her. And Beast is there. Kelsey Grammer's Beast. That's the MCU signaling that the X-Men are coming into this multiverse story, and Monica is now positioned to be the bridge.
So the film ends with Carol and Kamala on Earth, but Monica is somewhere else entirely.
Right. Carol gets to go home. Kamala gets to build something new with Kate Bishop. But Monica is stranded in a world where her mother exists as a stranger, and one of Marvel's most powerful mutants is standing in the room with her.